Artistbook with an essay by Dellbrügge & de Moll and architectural drawings as well as source texts from the Third Reich about art. Dellbrügge & de Moll question the parameters of art production with regard to the relation of art and power. As a starting point they take the case of the state studio of the Nazi sculptor Arno Breker in Berlin, where they have worked between 2001 and 2009. The building's history and its use after the collapse of the Third Reich is disparate. For decades the context of its origin had been concealed. In 1949 the municipality had conveyed for lifetime the east wing of the state studio of all people to Arno Breker's master student and protégé. This succession is currently being uphold. Dellbrügge & de Moll go back to the roots and trace the continuities into the present.